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About WhealSenior officers of the National Union of Journalists, including General Secretary Jeremy Dear, have moved to distance the union from wayward activist Chris Wheal in the wake of the storm created by the latter’s comments to the British Journal of Photography last week. |
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12 April 2006
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In the article, a report on the future of UK copyright by BJP staff writer Katie Scott, Wheal complained of photographers who “think” they own copyright of their work, calling them “greedy and morally bankrupt”, and asserted that copyright of an image should belong to the person who had commissioned it. This position is of course contrary both to current UK legislation and the stated policy of the NUJ. Dear condemned Wheal’s views as “his own, not those of the NUJ” in a reply to photographers demanding clarification of the NUJ’s position on Wheal and his statements. “I too object to Chris’ views on this topic, ” he continued, “but how do you stop someone having wrong ideas?” Tim Gopsill, editor of union magazine The Journalist, went further, describing Wheal’s comments as “an incitement to theft”. NUJ Freelance Organiser John Toner has subsequently written to the BJP, acidly describing Wheal as sounding more like a News International spokesman than a freelance journalist.” Whealing BackwardsAfter last week’s BJP furore broke Wheal disappeared on a cycling holiday, back-pedalling all the way: before leaving he took time to reply to photographers who’d mailed him demanding he justify his statements in both the BJP and an earlier article in The Journalist. It wasn’t much of a defence though, resting as it did on two claims. Firstly, that he hadn’t really meant what he wrote in his notorious Journalist article. “It never occurred to me anyone seriously involved would be foolish enough to think I really meant what I wrote” was his response to one photographer. “I write controversial stuff in The Journalist all the time to wind people up.” And secondly that the BJP has misrepresented his views: “I gave a long interview to the BJP and because I didn’t say what she wanted to hear she quoted the article in The Journalist instead.” [Memo to photographers: don’t you just love it when a blunt complains about getting stitched up in the meejah?] But wait a minute. Wheal’s words in the BJP didn’t appear in The Journalist. In fact if it was up to The Journalist editor Tim Gopsill they never could: “Let me assure you that nothing like this appeared in The Journalist and I wouldn’t have run such a statement if he had written it” was his reply to one enquiry. So how could Katie Scott have been quoting Wheal from The Journalist? Answer, she wasn’t: Wheal is being economical with his memory. Having publicly placed his foot in his mouth yet again his solution was to smear the BJP’s correspondent. [Memo to blunts: do try to pay attention not only to what you’ve said, but whom you said it to.] WhealpolitikSome NUJ photographers have laid the broad charge at Wheal’s door that he speaks not as a journalist, but as an employer. However this is not strictly accurate: a better assessment would be that Wheal speaks both as a journalist AND as an employer. The words Wheal used in his Journalist article and in his BJP interview were not just slightly different. They read as if two entirely different people had uttered them – something that incidentally renders his allegation that the BJP had lifted The Journalist quotes all the more ridiculous. There’s a good reason for the difference: Wheal the employer can’t speak in the Journalist – as Tim Gopsill noted, such opinions wouldn’t be published. So instead we get revolutionary Wheal, with his cry of “free the databases for the masses”. By the same token, revolutionary Wheal would be laughed out of the pages of the BJP, so instead he dons a shiny suit and delivers corporate Wheal, the voice of oppressed and exploited bean counters everywhere. But although content and style of delivery are tailored to the audience, the eventual aim remains the same: the removal of copyright protection from the authors of original work.
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